Rafta Rafta – An Assortment of Poems
Rafta
Rafta is a fine collection of poems by my respected friend, guide and
philosopher Principal JagdishChander Joshi. Though I am a novice in the fine
art of poetry yet Principal Jagdish Joshi gifted me a copy of Rafta Rafta with
a genuine and gracious approach with the citation under his hand and seal “To
the one who is a great lover of poetry – Shri Ramesh Chanderji Ambassador”. He
was generous as always.
I
must admit that I am not fully qualified to comment on the contents and genre
of the poetry book of its learned author “Josh”, the num de plume of Jagdish
Joshi. The preamble (Pesh-Lafaz)of the book is written in chaste Urdu of
literary caliber and mostly
went over my head. But it seems Josh Sahib was not
oblivious of the fact that readers like me would find it difficult to
understand and thoughtfully gave the meaning of difficult Urdu vocabulary in
the foot-notes on the page itself. The cover of the book rightly and aptly says
it in a poetical parlance as to how difficult it is to understand poetry: Manzil-e-Shayari , Door -Bahut Door Hua Karti
Hai.
There
are 103 poems on varied themes pertaining to human day to day life. The author
has aptly explained this in the Preamble of the book. The name of the Book is Rafta
Rafta as, in accordance with the circumstances, one passes through these stages
of life with ones intellect and understanding. The stage of Youth (Jawani) has
its own potent message and that of Middle age (Mutbashist) has its own color.
Then comes Old age (Zayafi) and its demeanor is different from the preceding
two. Rafta Rafta revolves around these human emotions and stages.
The
first ghazal of the book is about love (Mohabbat) followed by many more on the
lofty feelings of love:
Mohabbat Jab Bhi Hoti Hai, Mohabbat Hi
Hoti Hai;
Ibtda se AkhirTak, Mohabbat Hi Hoti Hai
!
I am reminded of the legendary song of a Hindi
Movie – Pyar Ko Pyar Hi Rehne Do, Kuch Naam
Na Do !
It
seems the author is fully drenched in love as he said in one of the poems – Dhong Mohabbat ka ‘Josh’ Bhi Kar Leta Hai !
and depicted the natural feeling of love as felt by Ghalib“Ishq par Zor Nahin” in yet another
beautiful composition:
Na Jaane, Kyon Mujhe, Tum Se Mohabbat Hoti
Jati Hai,
Na Jaane, Yeh Mohabbat, Akidat Hoti Jati Hai!
The
author ‘Josh Sahib’ describes the free and candid trait of Youth (Jawani) as:
Josh To Josh Hai, Hosh Se Ise Kya Lena !
Hosh Ki Aad Mein Josh Chhupate Kyon Ho ?
I
have no mind and capacity to comment in detail on the excellent contents of the
book and leave that to the discerning readers. Ghazal No.22 on page 38
impressed me a lot. Jagdish Joshi Sahib had recited the poem to me on telephone
a couple of times. One may gauge from this his involvement and magnanimity with
friends
Principal Jagdish Joshi speaking at the launch of The Bits and Pieces |
Sadgi Se Jo Keh Dete Hain, Sada Alfaaz;
Gehrai Ka Pata Dete Hain, Sada Alfaaz!
Jagdish
Joshi has seen more than 84 springs of life and is still kicking. I wish him
many more springs to come. He got nostgalic in the last poem of the book. One
can feel that:
Assi Aur Char Guzaar Diye, Maaji Ke Andhere
Mein;
Jaane Kitne Aur Jama Honge, Maaji Ke Andhere Mein!
Before
I conclude these remarks of a novice on a book worth reading, let me take this
opportunity to wish Principal Jagdish Joshi all the very best for his good
health and his forthcoming works – One Hundred Years of DAV College Jalandhar
of which we both are the alumni and other books listed on the title page of Rafta
Rafta. It is gratifying to note that more than 10 books on Urdu/Hindi poetry of
Joshi Sahib already adore the shelves of big and small libraries in the country
and beyond. Besides this, a brief profile written by Prof. Sharad Manocha of
DAV College Jalandhar which is available on the back cover page of the book fully
illustrates the chequered literary and intellectual prowess of Principal
Jagdish Joshi. I have nothing more to add except to say that we are determined
to keep engaging him to bother us as we like to nullify what he wrote on page
37 of Rafta Rafta:
Josh Ki Be-tuk Ko Samjhne Ki Zaroorat Kya
Hai;
Is Be-Akal se to Peeccha Chhudana Hi Accha Hai.